

But let’s hope the end of the tour won’t mark the end of Eddie Vedder and the Earthlings as a live experience. It simply wasn’t practical for this mashed-up band to last longer than a few weeks. That’s very quick for a rock tour, but it will soon be time for Pearl Jam, the Red Hot Chili Peppers, and Jane’s Addiction to get back to work headlining festivals and packing football stadiums. by this point, so they raced through George Harrison’s “Isn’t It a Pity” and Bob Dylan’s “All Along The Watchtower” to avoid overtime charges. They started with “Precious” by the Pretenders to add some “female energy” in the mix, and then went back to the Pearl Jam catalog for a tender “Better Man.” It led directly into a snippet of Patti Smith’s “People Have the Power.” The clock was ticking toward the Beacon’s curfew of 11 p.m. The main set ended with a transcendent, jammed-out take on Pearl Jam’s “Porch” that kept the crowd roaring until the band came back for encores. Mills,” and “Try,” which featured photographer Danny Clinch on harmonica.

The familiar opening notes of Pearl Jam’s “Wishlist” were greeted by screams of ecstasy, and the band kept that energy going through the new songs “Brother the Cloud,” “Mrs. The lesson has been, through adversity we have come out the other side actually stronger.” Then the day we’re supposed to fly here, there’s a bomb cyclone. And then we had 12 practices scheduled, but only had three of them. “I don’t want to get into it, but people close to me got Covid.

“I’ve gotta tell you, these past few weeks have been some of the most chaotic that I’ve ever experienced in all my years,” Vedder said midway through the show. If the band felt a little loose at times, even re-starting one of the songs after a shambolic first attempt, it’s because of madness of life during Omicron nearly derailed this entire tour. And every song was a chance for Klinghoffer to show off his incredible chops, proving why Pearl Jam scooped him up shortly after the Chili Peppers pushed him out to make way for the return of John Frusciante. The energy in the house may have sagged a bit during some of the slower numbers, but anthemic tunes like “Long Way” and “Invincible” had fans singing along by their second choruses. It meant hitting fans with a lot of new material, but the Pearl Jam faithful are adventurous and they seemed to relish the experience just as much as Vedder himself.īefore they delved into Earthling, Vedder and his band (which also featured singer-guitarist Glen Hansard and guitarist Andrew Watt, who produced Earthling) played a moving rendition of the mournful Tom Petty tune “Room at the Top” followed by the Beatles’ “Here Comes the Sun.” This was the final singalong moment before eight consecutive tunes from either Earthling or the recent Flag Day soundtrack. The longtime friends came together last year to record Vedder’s excellent new solo LP Earthling, and this was their chance to unveil the songs to the public a little over a week before the record arrives.
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Topping it all off, they were playing in front of two mannequins decked out like women in the Dude’s dream sequence from The Big Lebowski, a movie from the late Nineties about the early Nineties featuring yet another member of the Red Hot Chili Peppers, Flea, in a supporting role.īut they weren’t there to hawk Clinton-era memories as if this was Eddie Vedder and His All Starr Band. It also felt like a sort of glorious Nineties alt-rock fever dream since he opened with a cover of R.E.M.’s 1992 classic “Drive” and his backing band contained Red Hot Chili Peppers drummer Chad Smith, Jane’s Addiction bassist Chris Chaney, and former Chili Peppers guitarist Josh Klinghoffer.
